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Missal of Eberhard von Greiffenklau, Conversion of St. Paul, Walters Manuscript W.174, fol. 181v
Walters Art Museum Illuminated Manuscripts posted a photo:
The Missal of Eberhard von Greiffenklau is a masterpiece of Dutch manuscript painting. It was originally produced in the second quarter of the fifteenth century for von Greiffenklau, prebendary of Utrecht from 1446. The manuscript features work by the Masters of Zweder van Culemborg, active in the Utrecht area between 1420 and 1440, so-named after the Bishop of Utrecht 1425-33 for whom they produced a magnificent Missal in the late 1420s (now Bressanone, Bibl. del Seminario Maggiore). This Missal also features work by the celebrated Master of Catherine of Cleves, linking it to possibly the finest Dutch illuminated manuscript ever made; the Hours of Catherine of Cleves of c.1440 (Morgan Library & Museum, M.917 & M.945). This extremely elaborate Missal is illuminated with one full-page miniature, 52 column miniatures and 68 historiated initials throughout the manuscript, with the Temporal and Sanctoral sections being particularly richly decorated. In the late 15th century, a selection of prayers and sequences were added to the end of the manuscript in Germany, probably Mainz, and the volume was subsequently rebound with its current brown calf over boards, blind, rebacked binding either at that time or in the early 16th century. Missal of Eberhard von Greiffenklau, King David in prayer in the Temple, Walters Manuscript W.174, fol. 8r
Walters Art Museum Illuminated Manuscripts posted a photo:
The Missal of Eberhard von Greiffenklau is a masterpiece of Dutch manuscript painting. It was originally produced in the second quarter of the fifteenth century for von Greiffenklau, prebendary of Utrecht from 1446. The manuscript features work by the Masters of Zweder van Culemborg, active in the Utrecht area between 1420 and 1440, so-named after the Bishop of Utrecht 1425-33 for whom they produced a magnificent Missal in the late 1420s (now Bressanone, Bibl. del Seminario Maggiore). This Missal also features work by the celebrated Master of Catherine of Cleves, linking it to possibly the finest Dutch illuminated manuscript ever made; the Hours of Catherine of Cleves of c.1440 (Morgan Library & Museum, M.917 & M.945). This extremely elaborate Missal is illuminated with one full-page miniature, 52 column miniatures and 68 historiated initials throughout the manuscript, with the Temporal and Sanctoral sections being particularly richly decorated. In the late 15th century, a selection of prayers and sequences were added to the end of the manuscript in Germany, probably Mainz, and the volume was subsequently rebound with its current brown calf over boards, blind, rebacked binding either at that time or in the early 16th century. Raginee
pankaj.anand posted a photo:
Raginee was the main model for the day. It was nice working with her. Earlier she thought there will be only few photograhphers but she was surprise cum shocked to see so many guys with guns in hand giving her lot of attention :P :) Raginee-1
pankaj.anand posted a photo:
Note: Crop Suggested by Inder Gopal sir I close My eyes
pankaj.anand posted a photo:
I close my eyes, then I drift away, into the magic night I softly say. A silent prayer, like dreamers do, then I fall asleep to dream my dreams of you. Roshini and Alok ( colored version)
pankaj.anand posted a photo:
Had a portrait session at Cubbon park. It was great fun. Roshini and Alok are friends of one of the fellow photographer in the group. They came with him and we couldn't stop asking them to pose for us. It turned out to be a nice event. Missal of Eberhard von Greiffenklau, Martyrdom of St. Agnes, Walters Manuscript W.174, fol. 180v
Walters Art Museum Illuminated Manuscripts posted a photo:
The Missal of Eberhard von Greiffenklau is a masterpiece of Dutch manuscript painting. It was originally produced in the second quarter of the fifteenth century for von Greiffenklau, prebendary of Utrecht from 1446. The manuscript features work by the Masters of Zweder van Culemborg, active in the Utrecht area between 1420 and 1440, so-named after the Bishop of Utrecht 1425-33 for whom they produced a magnificent Missal in the late 1420s (now Bressanone, Bibl. del Seminario Maggiore). This Missal also features work by the celebrated Master of Catherine of Cleves, linking it to possibly the finest Dutch illuminated manuscript ever made; the Hours of Catherine of Cleves of c.1440 (Morgan Library & Museum, M.917 & M.945). This extremely elaborate Missal is illuminated with one full-page miniature, 52 column miniatures and 68 historiated initials throughout the manuscript, with the Temporal and Sanctoral sections being particularly richly decorated. In the late 15th century, a selection of prayers and sequences were added to the end of the manuscript in Germany, probably Mainz, and the volume was subsequently rebound with its current brown calf over boards, blind, rebacked binding either at that time or in the early 16th century. Missal of Eberhard von Greiffenklau, St. Vincent, Walters Manuscript W.174, fol. 181r
Walters Art Museum Illuminated Manuscripts posted a photo:
The Missal of Eberhard von Greiffenklau is a masterpiece of Dutch manuscript painting. It was originally produced in the second quarter of the fifteenth century for von Greiffenklau, prebendary of Utrecht from 1446. The manuscript features work by the Masters of Zweder van Culemborg, active in the Utrecht area between 1420 and 1440, so-named after the Bishop of Utrecht 1425-33 for whom they produced a magnificent Missal in the late 1420s (now Bressanone, Bibl. del Seminario Maggiore). This Missal also features work by the celebrated Master of Catherine of Cleves, linking it to possibly the finest Dutch illuminated manuscript ever made; the Hours of Catherine of Cleves of c.1440 (Morgan Library & Museum, M.917 & M.945). This extremely elaborate Missal is illuminated with one full-page miniature, 52 column miniatures and 68 historiated initials throughout the manuscript, with the Temporal and Sanctoral sections being particularly richly decorated. In the late 15th century, a selection of prayers and sequences were added to the end of the manuscript in Germany, probably Mainz, and the volume was subsequently rebound with its current brown calf over boards, blind, rebacked binding either at that time or in the early 16th century. |
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