Laya

Bollywood Songs

Author: rajeshshetty000
Keywords: Bollywood Songs
Added: October 3, 2008

beautyful song from the urdu movie rudaali(1993) with dimple kapadia,raj babbar and rakhee.the music is composed by bhupen hazarika and sunged by laya mangeshkar

Author: DivyaDutta4ever
Keywords: rudaali rudali lata mangeshkar latha dimple kapadia bollywood urdu raj babbar rakhee rakhi gulzar hindi
Added: October 3, 2008

SONG:O MERE SONA RE SONA RE MUSIC:R.D.BURMAN LYRICS:MAJROOH SULTANPURI SINGERS:MOHD RAFI,ASHA BHOSLE MOVIE:TEESRI MANZIL 1966 SHAMMI KAPOOR ASHA PAREKH HELEN LAXMI CHHAYA Teesri Manzil ("Third Floor") is a 1966 Bollywood film by Nasir Hussain films. It starred his regular stars Shammi Kapoor and Asha Parekh. Nazima, Premnath, Prem Chopra, Iftekhar , Helen, K. N. Singh and Salim were part of the supporting cast. The film became a hit at the box office. Indiatimes Movies ranks the movie amongst the Top 25 Must See Bollywood Films. Behind the Scenes Nasir Hussain produced and wrote the film under his home banner. He opted not to direct this film, and instead approached Vijay Anand to direct and his older brother Dev Anand to star in it. Dev was unavailable, but Vijay came on board to direct and edit the film. Hussain then cast his regular actors, Shammi Kapoor who had earlier starred in Hussain's two big hits, Tumsa Nahin Dekha (1957) and Dil Deke Dekho, which introduced heroine Asha Parekh. Asha had starred in two more hits for Hussain Jab Pyar Kisise Hota Hai (1961) and Phir Wohi Dil Laya Hoon (1963). Thus, the newcomer for this film would be music composer R.D. Burman(son of legendary music composer S.D. Burman), and he would create phenomenal music for this film. He would compose for all of Hussain's films until Zabardast(1985). Shammi Kapoor, Nasir Hussain, and Vijay Anand individually took credit for discovering the supremely talented R.D. Burman. But R.D. Burman gave credit to lyricist Majrooh Sultanpuri for recommending him to Hussain, and both of them would create unforgettable songs for Teesri Manzil. The song picturisations were outstanding, with Helen dancing to "Oh Haseena zulfonwaali". Songs like "Aaja aaja" had a rock and roll base and were extremely popular. The film became a hit and remains popular to this day. What is so unusual is that although it is a murder mystery, it continues to draw repeat audiences even though the identity of the murderer is no longer a secret. "Teesri Manzil" was the last time Shammi starred in a Nasir Hussain film. Asha would go on to do four more, three of which she starred in. "Teesri Manzil" was also the last Nasir Hussain film in which Mohammed Rafi sang all the songs. By Yaadon Ki Baraat, Kishore Kumar had temporarily become the dominant singer in Nasir Hussain's movies, but Rafi always had a special place in Hussain's films and would later win major awards for the song "kya huva tera wada" in Hussain's Hum Kisi Se Kum Nahin (1977). Nasir Hussain and Vijay Anand never worked together again after Teesri Manzil. Hussain would return to directing all his films again and would only relinquish the director's chair to his son after three of his films flopped in the 1980s. Salim Khan played a small role as Shammi Kapoor's musician friend who pretends to be Rocky in the musical number "Oh Haseena zulfonwaali," picturized on Helen's dancing. In real life, Helen would later become his second wife. Shammi Kapoor's wife, actress Geeta Bali died during the filming, and director Vijay Anand helped Shammi get over the grief.

Author: jeetendra5
Keywords: rd.burman majrooh.sultanpuri mohd.rafi asha.bhosle shammi.kapoor asha.parekh laxmi.chhaya helen
Added: September 19, 2008

Singer: Kousar Perveen Film: Touheed (Urdu - 1958) Music: Khursheed Qais Lyrics: Khawaja Altaf Hussain Hali Actress: Nayyar Sultana Complete Naat: Woh Nabiyon mein rehmat laqab panay wala Muraden Gharibon ki bar lanay wala Museebat mein ghairon kay kaam aanay wala Woh apnay paraye ka gham khanay wala Faqeeron ka malja, Zaeefon ka maawa Yateemon ka wali, Ghulamon ka Moula Khatakaar say darguzar karnay wala Bad-andesh kay dil mein ghar karnay wala Mafasid ka zer-o-zabar karnay wala Qabayel ko sheer-o-shakar karnay wala Uttar kar Hirra say suy-e-qoum aya aur ik nuskha keemiya saath laya Mis-kham ko jis nay kundan banaya Khara aur khota alag kar dikhaya Arab, jis peh qarno say tha jehal chhaya Palt di bas ik aan mein us ki kaya Raha dar na beeray ko mouj-e-bala ka Idhar say udhar phir geya rukh hawa ka (Poet: Khawaja Altaf Hussain Hali (1837-1914) http://en.wikipedia.org/wiki/Maulana_Hali Read complete Deewan-e-Hali on http://www.urducl.com/Urdu-Books/969-416-205-025/ Watch the complete movie on Pakistan Film Magazine on http://mazhar.dk/film/ or on http://ie.youtube.com/user/PakMovies

Author: PakFilm
Keywords: tauheed touheed only one God naat spiritualsong islamic quraan universe pakistan lollywood bollywood india urdu hindi creation
Added: September 14, 2008

SONG:O HASEENA ZULFON WAALI MUSIC:R.D.BURMAN LYRICS:MAJROOH SULTANPURI SINGERS:MOHD RAFI,ASHA BHOSLE MOVIE:TEESRI MANZIL 1966 SHAMMI KAPOOR ASHA PAREKH HELEN LAXMI CHHAYA Teesri Manzil ("Third Floor") is a 1966 Bollywood film by Nasir Hussain films. It starred his regular stars Shammi Kapoor and Asha Parekh. Nazima, Premnath, Prem Chopra, Iftekhar , Helen, K. N. Singh and Salim were part of the supporting cast. The film became a hit at the box office. Indiatimes Movies ranks the movie amongst the Top 25 Must See Bollywood Films. Behind the Scenes Nasir Hussain produced and wrote the film under his home banner. He opted not to direct this film, and instead approached Vijay Anand to direct and his older brother Dev Anand to star in it. Dev was unavailable, but Vijay came on board to direct and edit the film. Hussain then cast his regular actors, Shammi Kapoor who had earlier starred in Hussain's two big hits, Tumsa Nahin Dekha (1957) and Dil Deke Dekho, which introduced heroine Asha Parekh. Asha had starred in two more hits for Hussain Jab Pyar Kisise Hota Hai (1961) and Phir Wohi Dil Laya Hoon (1963). Thus, the newcomer for this film would be music composer R.D. Burman(son of legendary music composer S.D. Burman), and he would create phenomenal music for this film. He would compose for all of Hussain's films until Zabardast(1985). Shammi Kapoor, Nasir Hussain, and Vijay Anand individually took credit for discovering the supremely talented R.D. Burman. But R.D. Burman gave credit to lyricist Majrooh Sultanpuri for recommending him to Hussain, and both of them would create unforgettable songs for Teesri Manzil. The song picturisations were outstanding, with Helen dancing to "Oh Haseena zulfonwaali". Songs like "Aaja aaja" had a rock and roll base and were extremely popular. The film became a hit and remains popular to this day. What is so unusual is that although it is a murder mystery, it continues to draw repeat audiences even though the identity of the murderer is no longer a secret. "Teesri Manzil" was the last time Shammi starred in a Nasir Hussain film. Asha would go on to do four more, three of which she starred in. "Teesri Manzil" was also the last Nasir Hussain film in which Mohammed Rafi sang all the songs. By Yaadon Ki Baraat, Kishore Kumar had temporarily become the dominant singer in Nasir Hussain's movies, but Rafi always had a special place in Hussain's films and would later win major awards for the song "kya huva tera wada" in Hussain's Hum Kisi Se Kum Nahin (1977). Nasir Hussain and Vijay Anand never worked together again after Teesri Manzil. Hussain would return to directing all his films again and would only relinquish the director's chair to his son after three of his films flopped in the 1980s. Salim Khan played a small role as Shammi Kapoor's musician friend who pretends to be Rocky in the musical number "Oh Haseena zulfonwaali," picturized on Helen's dancing. In real life, Helen would later become his second wife. Shammi Kapoor's wife, actress Geeta Bali died during the filming, and director Vijay Anand helped Shammi get over the grief.

Author: jeetendra5
Keywords: mohd.rafi asha.bhosle rd.burman majrooh.sultanpuri shammi.kapoor asha.parekh helen laxmi.chhaya teesri.manzil
Added: September 12, 2008

SONG: MUJHE PYAR MEIN TUM NA ILZAAM DETE MUSIC:O.P.NAYYAR LYRICS:MAJROOH SULTANPURI SINGER:ASHA BHOSLE MOVIE:PHIR WOHI DIL LAYA HOON 1963 JOY MUKHERJEE ASHA PAREKH Phir Wohi Dil Laya Hoon is a 1963 Indian Bollywood film. The film became a superhit at the box office. This was Nasir Hussain's second production, the first being Jab Pyar Kisi Se Hota Hai. He also wrote and directed it. It starred Joy Mukherjee and the Nasir Hussain fixture Asha Parekh. Pran played the villain in the film and Rajindernath had a supporting role in it. This Nasir Hussain film had O.P. Nayyar as the music director, who had previously composed Hussain's Tumsa Nahin Dekha (1957). Majrooh Sultanpuri was the lyricist. This film included many superhit songs like the classic Dekho Bijli Dole Bin Badal Ki sung by Asha Bhosle & Usha Mangeshkar and Mujhe Pyar Mein sung by Asha Bhosle.

Author: jeetendra5
Keywords: op.nayyar majrooh.sultanpuri asha.bhosle mohd.rafi joy.mukherjee asha.parekh
Added: September 6, 2008

SONG:PYAAR KI KASAM HAI MUSIC:USHA KHANNA LYRICS:MAJROOH SULTANPURI SINGER:MOHD RAFI,ASHA BHOSLE MOVIE:DIL DEKE DEKHO 1959 SHAMMI KAPOOR ASHA PAREKH Dil Deke Dekho is a 1959 Indian Hindi movie which became a big hit and which gave star Shammi Kapoor a new image as a comedic, dancing hero. Asha Parekh, a former child actress, made her film debut as a heroine. The film became a hit at the box office. Husain, Kapoor, and Parekh would reteam again for Teesri Manzil (1966), which also became a big hit. Husain would also cast Parekh as his leading lady in five other films. Shammi Kapoor had said that he had initially wanted Waheeda Rehman to play his leading lady in the film, but the producer had already signed Asha Parekh, and he encouraged her during filming Asha Parekh (October 2, 1942) is a Bollywood actress, director, and producer. She was one of the top stars in Hindi films from 1959 to 1973 and is said to have starred in more hit films than any other actress. Asha Parekh was born into a middle-class Gujarati household on October 2, 1942 in Santa Cruz, Mumbai to a Hindu father and Muslim mother, but her religious upbringing involved worshiping Sai Baba. Since she was an only child, she became the centre of her parents' lives. Her mother enrolled her in Indian classical dance classes at an early age and Asha excelled at dancing to the point where she performed at stage shows and private functions. She started her career as a child artiste under the screen name Baby Asha Parekh in the film Aasmaan (1952). Famed film director Bimal Roy saw her dance at a stage function and cast her at the tender age of twelve in Baap Beti (1954). The film's failure disappointed her and even though she did a couple more child roles, she quit to resume her schooling. At sixteen she decided to try acting again and make her debut as a heroine, but she was rejected from Vijay Bhatt's Goonj Uthi Shehnai (1959) in favor of actress Ameeta, because the filmmaker claimed she was not star material. The very next day, film producer Subodh Mukherjee and writer-director Nasir Hussain cast her as the heroine in Dil Deke Dekho (1959) opposite Shammi Kapoor which made her a huge star. The film also led to a long and fruitful association with Hussain. He went on to cast her as the heroine in six more of his films: Jab Pyar Kisi Se Hota Hai (1961), Phir Wohi Dil Laya Hoon (1963), Teesri Manzil (1966), Baharon Ke Sapne (1967), Pyar Ka Mausam (1969), and Caravan (1971). She also did a cameo role for his film Manzil Manzil (1984). He also got her involved in distribution of films for 21 years, starting with Baharon Ke Sapne (1967). She was primarily known as a glamour girl/excellent dancer/tomboy in most of her films, until director Raj Khosla gave her a serious image by casting her in tragedienne roles in three of her favorite films: Do Badan (1966), Chirag (1969), and Main Tulsi Tere Aangan Ki (1978). Director Shakti Samanta gave her more dramatic roles in her other favorite films, Pagla Kahin Ka (1970), and Kati Patang (1970), the latter earned her the Filmfare Best Actress Award. Many important directors repeated her several times in their films, such as Vijay Anand, Mohan Segal and J.P. Dutta. Asha stopped acting in 1995 to pursue directing and producing television serials, but her acting accomplishments were not forgotten as she received the Filmfare Lifetime Achievement Award in 2002. And she has continued to receive other Lifetime Achievement Awards: Kalakar Award in 2004; International Indian Film Academy Awards in 2006; Pune International Film Festival Award (2007); Ninth Annual Bollywood Award (2007) in Long Island, New York. She received the Living Legend Award from the Federation of Indian Chambers of Commerce and Industry(FICCI). Asha has remained unmarried, claiming that her reputation of being unapproachable made people hesitate in asking her hand in marriage. There were rumors that she was romantically involved with her married director Nasir Hussain. In her later years, Asha said that she had a longtime boyfriend but declined to elaborate on the relationship, only stating that "it was nice while it lasted." Hussain passed away in 2002. Today, she concentrates on her dance academy Kara Bhavan, which has produced many skilled dancers. The Asha Parekh Hospital in Santa Cruz, Mumbai is named after her because of her many contributions. Her considerable wealth provides for many of her social and charitable causes. When asked if she missed having a husband and children, her response was: "I don't think so. There was a time when I did want to get married. I used to love children, I still love children, but now I feel that I am happy I am not married and don't have kids, because I don't think I would have been able to cope up with them

Author: jeetendra5
Keywords: usha.khanna majrooh.sultanpuri mohd.rafi asha.bhosle shammi.kapoor asha.parekh
Added: August 21, 2008

SONG:DEKHO BIJLI DOLE BIN BADAL KI MUSIC:O.P.NAYYAR LYRICS:MAJROOH SULTANPURI SINGERS:ASHA BHOSLE,USHA MANGESHKAR MOVIE:PHIR WOHI DIL LAYA HOON 1963 Phir Wohi Dil Laya Hoon is a 1963 Indian Bollywood film. The film became a superhit at the box office. This was Nasir Hussain's second production, the first being Jab Pyar Kisi Se Hota Hai. He also wrote and directed it. It starred Joy Mukherjee and the Nasir Hussain fixture Asha Parekh. Pran played the villain in the film and Rajindernath had a supporting role in it. This Nasir Hussain film had O.P. Nayyar as the music director, who had previously composed Hussain's Tumsa Nahin Dekha (1957). Majrooh Sultanpuri was the lyricist. This film included many superhit songs like the classic Dekho Bijli Dole Bin Badal Ki sung by Asha Bhosle & Usha Mangeshkar and Mujhe Pyar Mein sung by Asha Bhosle. Asha Parekh (October 2, 1942) is a Bollywood actress, director, and producer. She was one of the top stars in Hindi films from 1959 to 1973 and is said to have starred in more hit films than any other actress. Asha Parekh was born into a middle-class Gujarati household on October 2, 1942 in Santa Cruz, Mumbai to a Hindu father and Muslim mother, but her religious upbringing involved worshiping Sai Baba. Since she was an only child, she became the centre of her parents' lives. Her mother enrolled her in Indian classical dance classes at an early age and Asha excelled at dancing to the point where she performed at stage shows and private functions. She started her career as a child artiste under the screen name Baby Asha Parekh in the film Aasmaan (1952). Famed film director Bimal Roy saw her dance at a stage function and cast her at the tender age of twelve in Baap Beti (1954). The film's failure disappointed her and even though she did a couple more child roles, she quit to resume her schooling. At sixteen she decided to try acting again and make her debut as a heroine, but she was rejected from Vijay Bhatt's Goonj Uthi Shehnai (1959) in favor of actress Ameeta, because the filmmaker claimed she was not star material. The very next day, film producer Subodh Mukherjee and writer-director Nasir Hussain cast her as the heroine in Dil Deke Dekho (1959) opposite Shammi Kapoor which made her a huge star. The film also led to a long and fruitful association with Hussain. He went on to cast her as the heroine in six more of his films: Jab Pyar Kisi Se Hota Hai (1961), Phir Wohi Dil Laya Hoon (1963), Teesri Manzil (1966), Baharon Ke Sapne (1967), Pyar Ka Mausam (1969), and Caravan (1971). She also did a cameo role for his film Manzil Manzil (1984). He also got her involved in distribution of films for 21 years, starting with Baharon Ke Sapne (1967). She was primarily known as a glamour girl/excellent dancer/tomboy in most of her films, until director Raj Khosla gave her a serious image by casting her in tragedienne roles in three of her favorite films: Do Badan (1966), Chirag (1969), and Main Tulsi Tere Aangan Ki (1978). Director Shakti Samanta gave her more dramatic roles in her other favorite films, Pagla Kahin Ka (1970), and Kati Patang (1970), the latter earned her the Filmfare Best Actress Award. Many important directors repeated her several times in their films, such as Vijay Anand, Mohan Segal and J.P. Dutta. Asha stopped acting in 1995 to pursue directing and producing television serials, but her acting accomplishments were not forgotten as she received the Filmfare Lifetime Achievement Award in 2002. And she has continued to receive other Lifetime Achievement Awards: Kalakar Award in 2004; International Indian Film Academy Awards in 2006; Pune International Film Festival Award (2007); Ninth Annual Bollywood Award (2007) in Long Island, New York. She received the Living Legend Award from the Federation of Indian Chambers of Commerce and Industry(FICCI). Asha has remained unmarried, claiming that her reputation of being unapproachable made people hesitate in asking her hand in marriage. There were rumors that she was romantically involved with her married director Nasir Hussain. In her later years, Asha said that she had a longtime boyfriend but declined to elaborate on the relationship, only stating that "it was nice while it lasted." Hussain passed away in 2002. Today, she concentrates on her dance academy Kara Bhavan, which has produced many skilled dancers. The Asha Parekh Hospital in Santa Cruz, Mumbai is named after her because of her many contributions. Her considerable wealth provides for many of her social and charitable causes. When asked if she missed having a husband and children, her response was: "I don't think so. There was a time when I did want to get married. I used to love children, I still love children, but now I feel that I am happy I am not married and don't have kids, because I don't think I would have been able to cope up with them

Author: jeetendra5
Keywords: op.nayyar majrooh.sultanpuri mohd.rafi asha.bhosle usha.mangeshkar joy.mukherjee asha.parekh
Added: August 21, 2008

SONG:PARAAYI HOON PARAAYI MUSIC:SHANKAR JAIKISHAN LYRICS:HASRAT JAIPURI SINGER:LATA MANGESHKAR MOVIE:KANYADAAN 1968 SHASHI KAPOOR ASHA PAREKH Asha Parekh (October 2, 1942) is a Bollywood actress, director, and producer. She was one of the top stars in Hindi films from 1959 to 1973 and is said to have starred in more hit films than any other actress. Asha Parekh was born into a middle-class Gujarati household on October 2, 1942 in Santa Cruz, Mumbai to a Hindu father and Muslim mother, but her religious upbringing involved worshiping Sai Baba. Since she was an only child, she became the centre of her parents' lives. Her mother enrolled her in Indian classical dance classes at an early age and Asha excelled at dancing to the point where she performed at stage shows and private functions. She started her career as a child artiste under the screen name Baby Asha Parekh in the film Aasmaan (1952). Famed film director Bimal Roy saw her dance at a stage function and cast her at the tender age of twelve in Baap Beti (1954). The film's failure disappointed her and even though she did a couple more child roles, she quit to resume her schooling. At sixteen she decided to try acting again and make her debut as a heroine, but she was rejected from Vijay Bhatt's Goonj Uthi Shehnai (1959) in favor of actress Ameeta, because the filmmaker claimed she was not star material. The very next day, film producer Subodh Mukherjee and writer-director Nasir Hussain cast her as the heroine in Dil Deke Dekho (1959) opposite Shammi Kapoor which made her a huge star. The film also led to a long and fruitful association with Hussain. He went on to cast her as the heroine in six more of his films: Jab Pyar Kisi Se Hota Hai (1961), Phir Wohi Dil Laya Hoon (1963), Teesri Manzil (1966), Baharon Ke Sapne (1967), Pyar Ka Mausam (1969), and Caravan (1971). She also did a cameo role for his film Manzil Manzil (1984). He also got her involved in distribution of films for 21 years, starting with Baharon Ke Sapne (1967). She was primarily known as a glamour girl/excellent dancer/tomboy in most of her films, until director Raj Khosla gave her a serious image by casting her in tragedienne roles in three of her favorite films: Do Badan (1966), Chirag (1969), and Main Tulsi Tere Aangan Ki (1978). Director Shakti Samanta gave her more dramatic roles in her other favorite films, Pagla Kahin Ka (1970), and Kati Patang (1970), the latter earned her the Filmfare Best Actress Award. Many important directors repeated her several times in their films, such as Vijay Anand, Mohan Segal and J.P. Dutta. Asha stopped acting in 1995 to pursue directing and producing television serials, but her acting accomplishments were not forgotten as she received the Filmfare Lifetime Achievement Award in 2002. And she has continued to receive other Lifetime Achievement Awards: Kalakar Award in 2004; International Indian Film Academy Awards in 2006; Pune International Film Festival Award (2007); Ninth Annual Bollywood Award (2007) in Long Island, New York. She received the Living Legend Award from the Federation of Indian Chambers of Commerce and Industry(FICCI). Asha has remained unmarried, claiming that her reputation of being unapproachable made people hesitate in asking her hand in marriage. There were rumors that she was romantically involved with her married director Nasir Hussain. In her later years, Asha said that she had a longtime boyfriend but declined to elaborate on the relationship, only stating that "it was nice while it lasted." Hussain passed away in 2002. Today, she concentrates on her dance academy Kara Bhavan, which has produced many skilled dancers. The Asha Parekh Hospital in Santa Cruz, Mumbai is named after her because of her many contributions. Her considerable wealth provides for many of her social and charitable causes. When asked if she missed having a husband and children, her response was: "I don't think so. There was a time when I did want to get married. I used to love children, I still love children, but now I feel that I am happy I am not married and don't have kids, because I don't think I would have been able to cope up with them

Author: jeetendra5
Keywords: shankar.jaikishan hasrat.jaipuri mohd.rafi lata.mangeshkar shashi.kapoor asha.parekh
Added: August 20, 2008

SONG:RESHAM KI DORI MUSIC:LAXMIKANT PYARELAL LYRICS:ANAND BAKSHI SINGERS:MOHD RAFI,LATA MANGESHKAR MOVIE:SAAJAN 1969 MANOJ KUMAR ASHA PAREKH Asha Parekh (October 2, 1942) is a Bollywood actress, director, and producer. She was one of the top stars in Hindi films from 1959 to 1973 and is said to have starred in more hit films than any other actress. Asha Parekh was born into a middle-class Gujarati household on October 2, 1942 in Santa Cruz, Mumbai to a Hindu father and Muslim mother, but her religious upbringing involved worshiping Sai Baba. Since she was an only child, she became the centre of her parents' lives. Her mother enrolled her in Indian classical dance classes at an early age and Asha excelled at dancing to the point where she performed at stage shows and private functions. She started her career as a child artiste under the screen name Baby Asha Parekh in the film Aasmaan (1952). Famed film director Bimal Roy saw her dance at a stage function and cast her at the tender age of twelve in Baap Beti (1954). The film's failure disappointed her and even though she did a couple more child roles, she quit to resume her schooling. At sixteen she decided to try acting again and make her debut as a heroine, but she was rejected from Vijay Bhatt's Goonj Uthi Shehnai (1959) in favor of actress Ameeta, because the filmmaker claimed she was not star material. The very next day, film producer Subodh Mukherjee and writer-director Nasir Hussain cast her as the heroine in Dil Deke Dekho (1959) opposite Shammi Kapoor which made her a huge star. The film also led to a long and fruitful association with Hussain. He went on to cast her as the heroine in six more of his films: Jab Pyar Kisi Se Hota Hai (1961), Phir Wohi Dil Laya Hoon (1963), Teesri Manzil (1966), Baharon Ke Sapne (1967), Pyar Ka Mausam (1969), and Caravan (1971). She also did a cameo role for his film Manzil Manzil (1984). He also got her involved in distribution of films for 21 years, starting with Baharon Ke Sapne (1967). She was primarily known as a glamour girl/excellent dancer/tomboy in most of her films, until director Raj Khosla gave her a serious image by casting her in tragedienne roles in three of her favorite films: Do Badan (1966), Chirag (1969), and Main Tulsi Tere Aangan Ki (1978). Director Shakti Samanta gave her more dramatic roles in her other favorite films, Pagla Kahin Ka (1970), and Kati Patang (1970), the latter earned her the Filmfare Best Actress Award. Many important directors repeated her several times in their films, such as Vijay Anand, Mohan Segal and J.P. Dutta. Asha stopped acting in 1995 to pursue directing and producing television serials, but her acting accomplishments were not forgotten as she received the Filmfare Lifetime Achievement Award in 2002. And she has continued to receive other Lifetime Achievement Awards: Kalakar Award in 2004; International Indian Film Academy Awards in 2006; Pune International Film Festival Award (2007); Ninth Annual Bollywood Award (2007) in Long Island, New York. She received the Living Legend Award from the Federation of Indian Chambers of Commerce and Industry(FICCI). Asha has remained unmarried, claiming that her reputation of being unapproachable made people hesitate in asking her hand in marriage. There were rumors that she was romantically involved with her married director Nasir Hussain. In her later years, Asha said that she had a longtime boyfriend but declined to elaborate on the relationship, only stating that "it was nice while it lasted." Hussain passed away in 2002. Today, she concentrates on her dance academy Kara Bhavan, which has produced many skilled dancers. The Asha Parekh Hospital in Santa Cruz, Mumbai is named after her because of her many contributions. Her considerable wealth provides for many of her social and charitable causes. When asked if she missed having a husband and children, her response was: "I don't think so. There was a time when I did want to get married. I used to love children, I still love children, but now I feel that I am happy I am not married and don't have kids, because I don't think I would have been able to cope up with them

Author: jeetendra5
Keywords: mohd.rafi lata.mangeshkar laxmikant.pyarelal anand.bakshi manoj.kumar asha.parekh
Added: August 17, 2008

Source: nvijayanand.blogspot.com --- Saturday, September 27, 2008
If there is some end of the things we do, which we desire for its own sake, clearly this must be the good. Will not knowledge of it, then, have a great influence on life? Shall we not, like archers who have a mark to aim at, be more likely to hit upon what we should? If so, we must try, in outline at least, to determine what it is. (I.1094a18) -- Aristotle Flow : 1. From Wiki: Flow is the mental state of operation in which the person is fully immersed in what he or she is doing by a feeling of energized focus, full involvement, and success in the process of the activity. 2. Csíkszentmihályi (the person who proposed this) described flow as " being completely involved in an activity for its own sake. The ego falls away. Time flies. Every action, movement, and thought follows inevitably from the previous one, like playing jazz. Your whole being is involved, and you're using your skills to the utmost " 3. From 'Finding Flow' by the same author " It could be singing in a choir, programming a computer, dancing, playing bridge, reading a good book. Or this complete immersion in the activity may occur in a social interaction, as when good friends talk with each other, or when a mother plays with her baby. What is common to such moments is that consciousness is full of experiences, and these experiences are in harmony with each other. Contrary to what happens all too often in everyday life, in moments such as these what we feel, what we wish, a ...

Source: www.moreover.com --- Friday, September 19, 2008
September 18: The V-satellite phone in Laya geog, Gasa is not functioning properly. It is the geogs only connection with the rest of the country. ...

Source: ramsabode.wordpress.com --- Tuesday, September 02, 2008
Played mrudangam today for the violin duet of Sudha R.S. Iyer and Srividya R.S. Iyer at Raga Sudha Hall, Mylapore, Chennai. The concert was a part of Isai Velvi 2008 being organized by (Ghatam) Sri V. Suresh?s International Society for Laya Awareness. The song list is as follows: 1) sarasUDa (varnam) - sAvEri - Adi - kothavAsal [...] ...

Source: smartdesis.com --- Tuesday, October 07, 2008
Cast : Srikanth, Laya, K Viswanath, ShivajiDirection : K ViswanathMusic : Vidya SagarYear : 2004 .::SONGS LIST::. Anujudai : Download Kudikannu : Download Nichentee : Download Ramavinodi : Download Venugaana : Download Edhinaaoani : Download Mangalam : Download Okka skanam : Download Suprabaatam : Download All Songs In Single [...] ...

Source: iworld4you.com --- Tuesday, September 30, 2008
Namo Namo Durge Sukh karani, Namo Namo ambe Dukh harani !! Nirakar hai jyoti tumhari, Tihun lok pheli ujayari !! Shashi lalat mukh mahavishala, Netra lal bhrikutee vikarala !! Roop Matu ko adhika suhave, Daras karat jan ati sukh pave !! Tum sansar shakti Laya kina, Palan hetu anna dhan dina !! Annapurna hui jag pala, Tumhi adi sundari Bala [...] ...